Post by account_disabled on Feb 24, 2024 11:10:13 GMT
If Gonzaga had social media...Why didn't they have it? This is the title and subtitle of a Digital Brunch that took us inside one of the symbolic places of Renaissance Italy: the Palazzo Ducale in Mantua . It's a game but not much because if the tools change (Gonzaga didn't publish on Facebook) the communication has always been there. Stefano L'Occaso, director of Palazzo Ducale and heir of the Gonzaga family It is Stefano L'Occaso himself who accompanies us on the visit to the rooms of the Palazzo Ducale, presenting himself as the least digital man in the world (he doesn't use WhatsApp but is on LinkedIn and we will discover that he has a very clear idea of the Palazzo Ducale in Digital). Even the Doge's Palace struggles to embrace digital technology for obvious environmental reasons: it is not wired and the size of the walls prevents connections in many cases.
This does not mean, however, that the projects are not America Mobile Number List there and we will discover them by walking through the halls of this Gonzaga palace. Social media wasn't there but communication was It's true that social media wasn't invented in the Renaissance but Gonzaga communicated and how. We see it from the Camera degli Sposi , a masterpiece by Andrea Mantegna, which still today tells the story of the Gonzagas in a spectacular way. Every detail is fundamental from clothes to facial expressions, from body positions to background details. Stefano L'Occaso says that the privileged point of view is at the center of the painted room and from there we can grasp all the stories as if we were in the theater and saw the narrative develop on a stage. The Camera degli Sposi is a Camera Picta, entirely painted, and we could compare it to a website : if we could activate the images on the walls making them "touch" they would lead us to discover infinite stories and connections. It's always a question of communication and relationships as Stefano L'Occaso points out to us by pointing to the letter in the hands of Marquis Ludovico II: people really communicated and letters were delivered faster than today .
Maybe that's why they didn't miss email and social media, as Giacomo Cecchin said. The Doge's Palace in Digital If much remains to be done for connectivity at the Doge's Palace, much has been done on the web and social media with a discreet but continuous presence . Stefano L'Occaso talks about the website and a social presence that during the pandemic allowed people to enter Palazzo Ducale . A planning that arises from the work of Alessandro Sartori and Ylenia Apollonio , officials of the Ducal Palace. “We are still far from the social activity of museums like the Uffizi Gallery – adds Stefano L'Occaso – but there is no shortage of ideas and we have experimented a lot with a true icon of the Italian Renaissance” . ISA Wins it all If Gonzaga didn't have social media, why not imagine what they could have done... Stefano L'Occaso takes us to this point in one of the most secret rooms in the entire Palazzo Ducale. We are in the Castle of San Giorgio , a few steps from the Camera degli Sposi, we go down a small staircase and enter the Grotto of Isabella d'Este .
This does not mean, however, that the projects are not America Mobile Number List there and we will discover them by walking through the halls of this Gonzaga palace. Social media wasn't there but communication was It's true that social media wasn't invented in the Renaissance but Gonzaga communicated and how. We see it from the Camera degli Sposi , a masterpiece by Andrea Mantegna, which still today tells the story of the Gonzagas in a spectacular way. Every detail is fundamental from clothes to facial expressions, from body positions to background details. Stefano L'Occaso says that the privileged point of view is at the center of the painted room and from there we can grasp all the stories as if we were in the theater and saw the narrative develop on a stage. The Camera degli Sposi is a Camera Picta, entirely painted, and we could compare it to a website : if we could activate the images on the walls making them "touch" they would lead us to discover infinite stories and connections. It's always a question of communication and relationships as Stefano L'Occaso points out to us by pointing to the letter in the hands of Marquis Ludovico II: people really communicated and letters were delivered faster than today .
Maybe that's why they didn't miss email and social media, as Giacomo Cecchin said. The Doge's Palace in Digital If much remains to be done for connectivity at the Doge's Palace, much has been done on the web and social media with a discreet but continuous presence . Stefano L'Occaso talks about the website and a social presence that during the pandemic allowed people to enter Palazzo Ducale . A planning that arises from the work of Alessandro Sartori and Ylenia Apollonio , officials of the Ducal Palace. “We are still far from the social activity of museums like the Uffizi Gallery – adds Stefano L'Occaso – but there is no shortage of ideas and we have experimented a lot with a true icon of the Italian Renaissance” . ISA Wins it all If Gonzaga didn't have social media, why not imagine what they could have done... Stefano L'Occaso takes us to this point in one of the most secret rooms in the entire Palazzo Ducale. We are in the Castle of San Giorgio , a few steps from the Camera degli Sposi, we go down a small staircase and enter the Grotto of Isabella d'Este .